Born to work

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In Springsteen’s album, the car of his redemption – the one which took Mary from her porch and purred beneath Wendy’s wings – now lies abandoned on a desolate highway, gutted by thieves and left to burn.

If Bruce Springsteen is the writer who best chronicles the American man, then the land of dreams is in deep trouble.

The man who once railed against the boss man at the steel factory now has no job at all.

The character who was once hotting his engines up ready to run is now cleaning leaves out of gutters, a drifter who better belongs in the desolate landscape of a Steinbeck novel than the once hope filled terrain of a Springsteen album.

A terrifying sense of resignation pervades his latest album. ‘I’ll mow your lawn, clean the leaves out’ your drain… I’ll take the work God provides… Honey, we’ll be alright.

His characters are the couple in ‘Easy Money’ who dress up to go out on the town stealing from people so wealthy “they’ll just think its funny” and a down and out drifter of ‘Jack of all trades’ who goes from house to house mowing lawns and doing odd jobs to keep his family afloat.

Wrecking Ball Bruce SpringsteenSpringsteen is no stranger to the outlaw, but never have his characters been so bereft.

In ‘We are alive’ a man scrabbles at the earth around him in a grave, trying to rise above the existential horror of unemployment and poverty, eventually finding salvation in the idea that he fought for something greater.

But does the poverty and inequality that Americans are suffering now really have some higher purpose?

Springsteen draws the comparison with the railroad strikes of 1877 and the civil rights protests in Birmingham Alabama in 1963 but what has come out of Occupy Wall Street?

More than 46 million Americans live in poverty and income inequality has reached the same level as during the Great Depression but the Republicans are mired in a debate about birth control.

As Springsteen’s drifter mutters to himself in “it’s all happened before and it’ll happen again.”

Throughout the album, he voices the American incredulousness that the very heart of their great nation is the same thing which is destroying them.

On the same week that Wrecking Ball was released, the NY Times published titled ‘The go no-where generation’ showing that the likelihood of young Americans moving has dropped to rates not seen since the 1980s.

America is frozen, paralysed by unemployment and the sheer terror of poverty.

The road of good intentions has gone dry as bone, We take care of our own, Wherever this flag’s flown.”

There’s no mistaking who’s responsible in Wrecking Ball.

Fat cats, bankers and gambling men, whose party keeps rocking upstairs while the American working class keep working harder and harder, enslaved by their own flawed myth of a society which gives everyone a chance.

In many ways Wrecking Ball is a profoundly religious album, calling on shepherds to guide him through the darkness and telling us that we must keep faith no matter how hard things get, but one can’t help but feel that the thing America needs most is a little of Springsteen’s old Johnny 99 Nebraska style magic where one of his characters gets a gun in his hand and runs for the border.

Where hope for a better future once flowed, Springsteen’s characters turn to a glimmer of blue sky or the simple love of each other to find their reason for being.

Nothing is left, not job nor dignity, only the simple pleasures one can wring out of being alive.

Only time will tell if there will be redemption in that.

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About Carmen Michael

Carmen Michael is an author and a journalist. Her book Chasing Bohemia was published in 2007 by Scribe Publications.

5 Comments

  • Edwina Wright

    Great piece

  • Excellent, written by someone who seems to know Bruce.

  • What a brilliant article! He realised decades ago that if you sing about cars and girls then you can’t go far wrong…

    He’s not perfect though, as shown in his 1978 hit Racing In The Street where he opened with that famous line :

    “I got a ’69 Chevy with a 396, Fuelie heads and a Hurst on the floor”.

    Mechanics weren’t happy – pointing out that the Boss had got it wrong because Fuelie heads were only used on small block V8′s, not the 396 which is a big block. It took 32 years for Bruce to admit it when he re-released Racing In The Street in 2010 on “The Promise” album with the opening line :

    “I got a ’32 Ford, she’s a 318, Fuelie heads and a Hurst on the floor”.

    America may be spiralling, but the petrol heads are smiling once again….

  • Only you would know that Sam

  • Captain Black

    Cool piece.

    Haven’t heard the album as yet but glad to hear the Boss is writing new music and trying to remain relevant rather than just relying on the success of his “glory days”. The last thing people need is another greatest hits compilation of tired back catalogues.

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